Standing a loved one or a friend, or even an animal before a fabulous vista is a cultural staple of the holiday snapper. For me, apart from the “I/we was/were there” element, the juxtaposing of a human and or animal before vastness simultaneously humanises and accentuates the majesty of the given panorama. Painters have been doing the same thing since the days of the great Dutch and British landscape painters of the 17th, 18th and 19th centuries, from Van Ruisdael to Caspar David Friedrich.
Presented here are sadly no Friedrich’s, but this set of enhanced-photos from all my years of travel do nevertheless express something of that dramatic relationship between “us” and the landscapes we move within…
In 1978 I was a volunteer for the summer on Kibbutz Yiftach on Israel’s northern border with Lebanon. This is the view from the north east corner of the kibbutz towards Mount Herman…
This dates back to the late 70’s when my old mate Simon and I drove around Cork and Kerry in his old orange Datsun. This is Simon peering over the edge at Slea Head near Dingle on the Kerry coast (famous for being the location for the movie Ryan’s Daughter)…
Taken around 1981, this is the summit of Mount Gilboa. The field of boulders could seem to bear witness to the power of David’s curse in his great lament for the fallen Saul and Jonathan that nothing should ever grow upon the mountain’s slopes again…
In 1980 I spent the summer with a friend in west Jerusalem. Every day for about a fortnight we walked into the forest above Ein Kerem to draw and paint. the scent of pine needles roasting on the ancient terraced slopes was intoxicating…One my first trips abroad with my then-girlfriend Dido was a skiing trip to Les Deux Alpes. The skiing wasn’t up to all that much but the walk into the neighbouring valley was some compensation…Walking back to San Pedro de Atacama after visiting the pre-Inca ruins of Pukara de Quitor – the mighty Volcan Lincancabur stands proud in the distance…Later during the same 1991 trip we were privileged to witness the first serious rains over the the southern Atacama desert in 40 years. The subsequent desert blooming was regarded by some Chileans as nature celebrating the beginning of the post-Pinochet era…Santiago’s de Chile’s curse and glory are the walls of mountains which surround it; a pollution trap on the one hand and on the other – as can be seen from this picture taken on the road back from Valparaiso – beautiful on the eye…Coursegoules in southern France…We started travelling to Australia regularly from 2007 thanks to Dido’s work. Here she is at the aptly named “Point Sublime” at the edge of the Blue Mountains in New South Wales…And here’s Dido at the castle of Cardona (now a delightful parador) in the Catalan countryside…And, from some 30 years after my stay on Kibbutz Yiftach, a set of images from Israel taken in the early 2010’s. Here’s Dido again approaching the edge of one of the Negev craters…And sitting at the edge of that crater…The Wilderness of Zin…And finally, from the “biblical south” to the “biblical north” – Hereford cattle notwithstanding – looking down from the Golan Heights (biblical Bashan) towards the valley of the River Jabock, of Jacob and Esau fame.
Interesting. And in many of the pictures, the verticle line of the person offsets the strong horizontals of the landscape for a nice composition. I will have to pay more attention in similar situations in the future.
ARKS, ADAM AND AXARQUIA 
Interesting. And in many of the pictures, the verticle line of the person offsets the strong horizontals of the landscape for a nice composition. I will have to pay more attention in similar situations in the future.
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