Hanukkah – ARKS, ADAM AND AXARQUIA

an optimistic new year message

This year we have a bumper olive harvest – the biggest, since we planted our new grove twenty years ago. The work of picking, pruning and burning off is the most intense of the year.

The large crop feels somehow auspicious, as do the copious rains and the unusually crisp temperatures. When we first arrived on these rugged hills, some 33 years ago in 1993, we remember hearing a climate scientist assuring us that due to global warming this region of Spain would resemble the Sahara by 2003. We heard this on the BBC World Service program “Science in Action” on our short wave radio, our only form of communication back then with the outside world. Having just settled here, and having absolute faith in the reliability of the BBC you can imagine how this highly confident prediction alarmed and depressed us.

Well, since then, many things have happened, both predictable and unpredictable from the continued veridian fecundity of the Andalusian countryside, to the increasing unreliability of the once-great BBC.

New years have a funny way of making us reflect on all of these things. They are times of rejoicing but also of deep, and often sad reflection. We are reminded of those we have lost and of our own mortality and of those we love, and of those we do not – and of those who love us, and of those who do not.

All of which brings me to the Hanukkah story: The story centres around the miracle of the olive oil for the Jerusalem Temple Menorah – sufficient only for one day’s illumination, but miraculously lasting the eight days required for new oil to be made and sanctified (hence the eight stemmed candlesticks lit in the windows of most Jewish homes). As an olive farmer, whose crop is exchanged for oil, the story has become increasingly resonant and moving with each successive harvest, and never more so than this year, following the horrific events on Bondi Beach.

As many of you reading this know, I am not religious, but I am nevertheless deeply moved by the symbolism and central message of Hanukkah on a fundamental human level; that message being one of enduring light and of steadfast hope despite the worst efforts of all those who oppose our existence.

Thus, at the risk of contradicting/upsetting “omni-causers” everywhere, my predictions for 2026 and many more years to come, are repeated Andalucian olive harvests, the continued and uncowed thriving of the Jewish People, and the assured reoccurrence of the light of the Hanukkiah – itself, a metaphor for Isaiah’s famous dictum, that our credo was, is and forever will be, “as a light unto the nations “.

Happy New Year, and a hearty l’chaim!

*A sustaining mid-morning tipple with a snow-capped Mount Maroma in the background.*

*Isaiah 42:6. Header photo shows the large Hanukkiah (the Hanukkah candelabra) in the synagogue at my old school, Carmel College.

…DRAWN DARKLY

Another year passes, another Hanukkah arrives. For those unfamiliar with the story of the festival, I explain quite a lot about it here, in last year’s post. The reason it held a particular attraction for me as a child was – apart from the delicious foods, fun rituals and of course, the presents – was that it emanated from a period of history that fascinated me from an early age. So much did the story interest me in fact, that at some point, when I was about fourteen I decided to turn it into a comic strip.

Obsessed as I was with the actual history behind the story, rather than with the traditions and alleged miracles, I was keen for the strip to be as close to the ancient reality as possible. Hence, the “evil Greek soldiers” were less evil Greek, and more, ruthless, professional Macedonian mercenaries; while my “heroic freedom-fighter” Maccabees were more, (equally) ruthless, uncompromising zealots. Moreover, although the comic never made it that deep into the narrative, I intended to portray the Hellenised Jews, as less “treacherous collaborators” and more, worldly, pragmatic rationalists (one of which I would like to think I would have been myself!).

However, as was often the case with my juvenile projects, the initial flame of enthusiasm died out before I’d really got going – in this case, after barely the first two pages.

Nevertheless, it remains fun to look at now, and had I finished it, with its austere red-to-black tonality, it might have emerged as an early example of the graphic novel.