FIRST AND nearly LAST – the evolution of my painting on canvas…

One of the many surprises thrown up by my recent digitisation of all my photographs of old artwork was how – once chronologically sorted – it vividly revealed the development of my painting skills – or, if not skills exactly; at least of my comfort with the medium of oil paint. Additionally, they exposed something even more interesting – at least to me – of the dramatic alteration in my spirits and emotions from that heavily pressured time at art school to my days as a confident, free painting spirit.

The two paintings I have chosen for this piece graphically illustrate what I mean:

Soho Buildings was the first painting I ever made on canvas, and how it shows! Thin washes, tentative drawing and clumsy composition. Looking at it now, even in photographic form, I can still feel my fear of the canvas, and my hesitant application of the paint. Plus there was the added pressure of being surrounded by – at least – equally talented artists, most of whom were already familiar with painting on canvas. So, I was desperate for it to appear like I knew what I was doing and that I was at ease with the process, which clearly shows in the picture. But, for all that, the painting has some merit; some lucky accidents; like the two white painted windows on the shaded side of the near building…something quite lyrical about them. Plus, it serves now as a powerfully symbolic and accurate reminder of my gloomy mindset during those first terrifying days at Saint Martins…

SOHO BUILDINGS FROM SAINT MARTINS – oil on canvas – 1978

Girl Fastening Sandal was painted in 1988 and is evidently, everything the Soho picture is not. By this time I was confident and comfortable with both the oil paint and the painting surface and, more crucially, unencumbered by being part of any “art scene” – I didn’t have to worry about peers and rivals watching me over my shoulder. Whereas, with the Soho painting it was all I could do to produce any kind of image on the canvas, with the Girl painting I was preoccupied with expressing the joys and thrills of both the subject and the paint itself. It should look almost as if the paint flowed directly from my mind to the palette knife; a visual stream of consciousness; like a happy, joyous thought. The two paintings here graphically represent a pretty dramatic 10-year transition from student to artist and from teenage hesitancy to adult assuredness.

GIRL FASTENING SANDAL – oil on canvas – 1995

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DELPHI – disappointing runs but thrilling ruins…

To many, the idea of travelling to Delphi to ski might seem as daft as travelling to Zermat for the archaeology, but once, many years ago I went to Apollo’s sanctuary for a winter sports holiday.

Obviously, we didn’t need to consult the local oracle to know that the skiing on Mount Parnassus would be nearly as scarce as Doric temples on the Matterhorn. Fortunately, the stunning ancient Greek ruins were more than a compensation for a lack of powder-covered moguls and red runs. What had primarily been intended as a fortnight of physical thrills materialised as a fitness course for the mind.

The treated photos here were taken with my trusty old Canonet 28, but I think they get across something of the drama of Delphi and the sheer majesty of the two-an-a-half-thousand-year-old remains of one the world’s most historically influential civilisations…

Delphi sits on the south eastern slopes of Mount Parnassus, above the Valley of Phocis, seen here looking west…

These columns of the Temple of Apollo date from the 4th century BC and sit upon remains of a 6th century predecessor…

The reconstructed Athenian Treasury was built in the late 5th century BC to commemorate their naval victory over the Persians at Salamis in 478. Every city state of Greece had a treasury at Delphi where their tributes to the god and payment to the Oracle were stored…

The often-remodelled amphitheatre dates originally from the 5th century BC. It sits just above the Temple of Apollo and has stunning views of the Valley Of Phocis…

The Tholos at the sanctuary of Athena Pronia with its famously resurrected column section has become Delphi’s most iconic and most photographed site. I was so drawn to it myself that I visited the Tholos every day of our visit…
The 6500 capacity Stadium sits high above the rest of the site. The field is about 177 long by 26 meters wide…
This was described to me as a sacred pool,…
These newly cut stones are used for restorations and repairs…
The view from modern Delphi, looking south west, across vast olive groves to the Gulf of Corinth.