A set of 15 digital “gouaches” showing a side of Canada’s great commercial capital you might not have noticed…
CANADA IN COLOUR – 1 – TORONTO
Tag: art photography
A PEEK AT PARIS THROUGH THE EYES OF A LONDONER
I’ve always found that London and Paris are primarily tonal rather than colourful cities. Their light qualities vary only subtly (especially in Autumn and Winter) and so it’s their unique architectural and arboreal textures which create their distinct feels and hugely different respective characters. Firstly, here are a handful of digital “gouaches” of the French capital to illustrate what I mean…London to follow shortly…
AXARQUIA – IN SEASONS
A collection of digital “gouaches” showing the way the Axarquian landscape changes with the seasons – Yes we do have seasons – even snow from time to time. These images cover a period of twenty years…
ZURICH – NOT JUST BANKS AND BANKERS
A SET OF DIGITAL “GOUACHES” AND “WATERCOLOURS” PORTRAYING
THE LIGHTER SIDE OF THE SWISS LAKESIDE BANKING TOWN
BRUGES IN BRIEF
A SHORT TOUR OF BRUGES VIA MY DIGITAL “GOUACHES”
EUREKA REFLECTIONS
A HANDFUL OF DIGITAL “GOUACHES” OF THE VIEWING FLOOR OF AUSTRALASIA’S TALLEST BUILDING
A few years back my wife and I went up the Eureka Tower in Melbourne. The views of the wonderful city and its surrounding countryside were of course splendid, but it was the cleverly laid-out viewing deck itself which excited me as an artist and a photographer. Hopefully, these images here reveal why that was…
AROUND AND ABOUT – SAN GIMIGNANO
A SERIES OF DIGITAL “GOUACHES” FROM OUR RECENT TRIP TO SAN GIMIGNANO IN TUSCANY
DIVIDING LINES
ONE PLACE -TWO REALITIES
Together with the pictures in my previous post, these few images are my oh-so-humble acknowledgement to my favourite painting “The Little Street”, by my favourite artist, Johannes Vermeer. If I’ve got things right the linkage between my puny digital dabbles and the greatest masterpiece painting in the history of Western Art should be pretty obvious. But do be sure to look beyond the sublimely painted edifice and brickwork to the four characters who inhabit the canvas. The house, for all it’s glory is merely the device, and that’s the point and the joy and the thrill of Vermeer – more than any artist before or since – sorting out his devices from his themes. This is what I’ve tried to bear in mind when making the images presented here…
AMAZING AUSTRALIA
SERIES 1 – WATERSIDE AUSTRALIA
(digital “gouaches” and photos of watery scenes in Victoria and New South Wales)
ARKS, ADAM AND AXARQUIA 