In the summer of 1979 I spent two weeks with a friend in his apartment on the south western outskirts of Jerusalem. My host shared a studio with me at art school (in London) and had been whetting my painterly appetite with descriptions of the scenery in the hills close by his apartment. Although I was already developing into a studio-based artist, the thought of walking out into the Jerusalem forest, portable easel on shoulder and painting box in hand seemed exotic and enticing. And so it proved to be.
Every day for around a week we rose at the crack of dawn and walked across ancient pine-wooded terraces to a shaded clearing perched dramatically above the picturesque village of Ein Kerem and sketched madly from morning to sunset. The combination of the dappled light, the changing colours and tones as the sun traversed the sky, the constant humming of the cicada and the aroma of pine needles intoxicated our spirits. And as we ate our rustic picnic lunches, washed down with wine and then dozed, we dreamed we were reincarnations of Gauguin and Van Gogh.
I did all my sketching in pen and coloured ink. I found the intensity and the fluidity of the ink perfect for expressing the colours of the landscape and capturing the immediacy of the given moment. Then later, early the following year, back in my studio in London I found I could use the ink sketches to transfer that sense of moment onto canvas – thus capturing the moment and giving it both permanency and with expanded depth and breadth.
Presented here is one of the original ink sketches, and the culminating oil painting I made from them. I felt that the device of a triptych would give me the scope to represent not just the colours, and flow of the landscape, but also its altering mood across the course of a single day. This was my first attempt at a triptych and looking back at it now, although far from fully resolved,the sheer unadulterated joy of it does nevertheless bring a smile to my face. Whether or not Paul or Vincent would smile or smirk is another question altogether.
2 thoughts on “MY ART CAREER 4 – SAINT MARTINS 1980: The Ein Kerem Triptych”
Nice picture Adam!! Love from Malaga
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Thank you Ana, love reciprocated from Jonkoping!