Regular readers and followers of these posts will be well aware of my ambivalence regarding my past life as a fine artist, much of which had its origins in the way I fell into art following regular school. I didn’t so much choose to be an artist as being an artist chose me. In fact, my greatest passion as a schoolboy was ancient history, but due to a combination of academic laziness and the relative effortlessness of making pictures I convinced myself that I’d have more fun being a painter. And thus, I spent the following twenty years pursuing a career for which I was intellectually and emotionally singularly ill-equipped to find lasting success.
To truly succeed in the world of contemporary art a thick skin is the first prerequisite, not the crepe paper tissue that covered my bones as I embarked on my life in fine art. And while it’s true that during the eight years of repeated false dawns and disappointment; praise and insult; momentary glory intermingled with incidents of outright abuse, the crepe paper gradually metamorphosed into the hide of a triceratops; I left the world of “pure art” disillusioned and cynical.
Several disillusioning incidents stand out to this day as key markers in my journey toward the exit from that world. The most farcical of these incidents was also the one from which the gouaches shown here date, and occurred only a year after I left art school, in 1982.
It concerns my first significant painting sale to an industrial entrepreneur who made his fortune securing the UK patent for the plastic seals that line beer bottle caps and somewhere along the way acquired a taste for collecting contemporary watercolours. He became aware of me and my work through his PA who became friends with my mother when she temped for the company and one evening in April the two ladies arranged to bring their boss to view my paintings.
As it happened, I had recently completed a series of large gouaches of Israel and had them hanging in my studio just in time for the visit. My “studio” was the converted – very small – spare bedroom of our bijou north London suburban bungalow and was all-but-filled by the gentleman; a jolly “larger-than-life” figure; his PA – an equally jolly and even larger figure; her daughter – built on similarly generous proportions; and my diminutive mother.
During what turned out to be the cosiest viewing of my artwork that I ever hosted, I quickly became aware that both the industrialist and his PA’s daughter were at least as taken with your’s truly as they were with the pictures. Nevertheless, after what seemed an eternity of me enduring their overly physical displays of affection towards me – incessant squeezing of my arms, numerous embraces and even the holding of my hands – all beneath the guise of gushing over my pictures – a sale was agreed upon. And what a sale it was, as he purchased all seven pictures I had on display, writing a substantial check for the full whack – no haggling or bargaining – then and there on our dining room table.
In my immediate euphoria over the sale I totally forgot the touchy-feely goings on of a few moments earlier in the studio and was even delighted when the guy suggested we all be his guests for supper at a pucker local Chinese restaurant. However, I was soon brought rudely back down to earth when I found myself sat between my new client and the PA’s daughter at a table slightly too small for the five of us, with the result that the cosy mood of the studio was restored, but with increased physicality.
In the event, I ate little of the delicious looking food as I constantly wriggled and squirmed to avoid the wandering feet, arms and even hands of my two neighbours. At one point, towards the end of the second bottle of Gewürztraminer, with their remaining inhibitions now completely dissipated, I had to fight off hands straying up my thighs towards my crotch from both sides! In my panic, I pushed back in my chair so firmly that the two lusting so-and-sos almost fell in against each other. Then finally, as we were waiting for our taxis outside the restaurant, the man made me the most extraordinary proposition. He brazenly suggested that I become his travelling companion, accompanying him on all his travels, in the UK and beyond, helping him build his collection of art. He assured me that all my needs and comforts would be catered for, and that he would pay me handsomely for my services. He even offered to set me up with a fabulous studio in the grounds of his Buckinghamshire mansion. Not wanting him to block the check, I asked him for a few days to think about the proposition. Five days later he sent his driver round to my house to collect the pictures, to whom I gave a typed note declining the offer. Needless to say, I never heard from the man again. I can only hope that the gouaches provided him with some degree of solace, unlike the PA’s daughter who had to make do without me and my works of art…
3 thoughts on “MY FIRST “ART CLIENT” – MY FIRST LESSON IN LIFE AS AN ARTIST”
Jajaj Adam, what an experience! The paitings are very nice.
Quite and experience!
Having questioned career choices myself, I sometimes wonder if it isn’t a bit related to the old phrase “the grass is always greener on the other side of the fence.”
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I’m not complaining. My life’s been a hoot for the most part, but I certainly wouldn’t choose art again – given that choice