“SPAIN ‘URTS”

BLOOD, SWEAT AND TOIL IN THE AXARQUIA*

Having just returned from another fortnight stint working our finca in the Axarquian mountains, sporting our latest collection of cuts, bruises and aching muscles, I was reminded of the wise words that head this post, uttered by the late lamented Fred, an early, fellow British, expatriate neighbour.

A neighbour proudly showing off the succulent fruits of his labours…Moscatel grape has been grown in the area since the time of the Phoenician settlers, and used for both raisins and sweet, strong wine. The grape constitutes the main ingredient of Malaga wine (which predates Sherry by many centuries), and was hugely popular across the Europe of the Elizabethan age.

Fred, a taciturn Yorkshireman, when he did offer his rare nuggets of wisdom, had an uncanny way of getting right to the heart of the matter under discussion, and never were his few words wiser or truer than when he coined the now famous phrase (famous in our neighbourhood at least!), “Spain ‘urts”.

What many tourists and visitors to the region might not appreciate, in awe as they are of the stunning landscape of Andalucía, is that the agricultural land itself is mostly rocky, jagged, prickly and generally unforgiving for those who have to work it. Moreover, while the soil is often fertile, it is a fecundity requiring arduous effort to extract, and if Andalucía in general, is hard country to farm, then the mountainous slopes of the Axarquia often verge on the impossible.

A man trudges back to his finca with a snack for his mule…There were few metalled roads in 1993, and most campesinos used mules and donkeys, for both transportation and ploughing their land.

This is why most of the agriculture of the region was for centuries, the exclusive domain of those both sufficiently hardy, and expediently motivated – or, in other words, the local peasant citizenry of the dozens of pueblos blancos (white villages) which dot the countryside like so many bleached apiaries. And like bees, these small, tough, resourceful workers would leave their village hives for the summer months and move into their finca homes, to tend their vines, pick their crops of grapes and nuts, dry their raisins, and finally, before returning to their pueblos, make their strong, sweet, fortifying mountain sacs.

A goatherd takes a rest…Goats and sheep, and their keepers were a mixed blessing in the campo; while providing good cheese and excellent meat they could be incredibly destructive if not guarded carefully, forcing many of us to reluctantly fence off our land.

Finca’s (privately owned small farms, or small-holdings) are dotted across the countryside in a seemingly random and chaotic, ill-fitting jigsaw of orchards and vineyards, that reflects the interminable division of parcels down the generations, from fathers to sons and mothers to daughters. In 1991, when we (and Fred) moved to the area, fincas were still a major source self-employment and income for much of the Spanish agrarian working class, and being a “bueno campesino” (a good peasant farmer) earned one a measure of respect within the tight-knit pueblo communities.

But as Fred implied, this might have been an honourable life, but it was also painful and unforgiving. Hence, and quite understandably, as Spain softened and modernised, the attraction of the “campo life” dramatically decreased for the children of the pueblos whose gaze strayed hungrily to the newly flourishing cities and towns, with their universities, and their opportunities of well-paid work and rewarding careers.

Our neighbour “Curro” – not only a fine and proud campesino, but also a skilled ploughman.

This changing demographic is nowhere more starkly illustrated than in our own locality, where the vineyards, raisin-drying beds and almond groves are steadily disappearing, and the old finca cottages are either left to crumble back into the landscape from which they emerged, or are converted into tourist b&bs. Dido and I, together with an aging and dwindling generation of mostly 60-somethings are rapidly manifesting as living relics, as we continue to brave the constant cuts and bruises, the back-breaking tending of vines and trees, wasp stings, and extremes of weather (hot and cold, dry and wet).

What happens when we are all gone is already being mapped out, as the valleys, and easier lower slopes, are all being transformed into fashionable, low maintenance and lucrative plantations of avocado and mango. (The fact that these new “super crops” require hugely greater volumes of water to flourish than the traditional crops and that they are a disaster waiting to happen, is whole other story…)

My drawings of campesinos displayed here were done during our first summer at our new home, in 1993, and are a reminder of how things used to be, when Spain (at least our part of Spain) really ‘urt…

“Old Juan” – another neighbour, and typically long-lived. It’s interesting to note that our local village is full of noctogarians like Juan, who swear by their daily shot of brandy or anis at breakfast, and a glass or three of their own wine in the evening. Other factors, such as their active lifestyles and diets must also be taken into account. In common with all Iberians, our locals are fanatics for fresh fish, with inexpensive anchovies and squid (brought up daily to the villages by mobile fish mongers) being central to their daily diets. This, in conjunction with the fact that meat consumption was often confined to what people grew themselves – the family pig, rabbits and chickens, always accompanied by mountains of their homegrown vegetables and legumes which must also contribute to their general longevity.
  • Header photo is a panoramic view of the campo as viewed from our finca – looking south-east – in 1993.

THE FOLKS WHO WOULD LIVE ON THE HILL (reprise)

The story of the building of our home in southern Spain – in pictures

We’re often asked by people we meet, and who are familiar with our life story, if we watch the TV show, Grand Designs (on the UK’s Channel 4). For the uninitiated, in 1993 Dido and I together with a small team of local builders and on a limited budget built a house on a rugged hilltop in the south of Spain. Grand Designs is a program which follows people – often young-to-middle aged couples (as we then were in 93) – as they undertake unusual and ambitious house-building projects similar to our own, with much of the drama emanating from all the trials and tribulations of the process. Invariably dreams turn into nightmares and then finally – though not always – the original dreams are more or less attained. And perhaps because there was so much pain, mental and physical, during our building experience my answer to the question is that I rarely watch the program. The few times I have it usually culminates in me experiencing a mild form of post-traumatic stress disorder, especially when the subject suckers – I mean subject couples – go through their own darker moments and mini-disasters.

Nevertheless, at the risk of sounding clichéd, for us, as with most of the Grand Design people, it all worked out in the end and we now have an extraordinary house and home. The question of whether or not it was worth it, and if, given the choice we would do it all again is something of a moot point. Certainly, we wouldn’t do it the same way again. We wouldn’t restore an existing ruin and tie it into a new additional structure – a process that doubled both the time and cost of the project, and necessitated Dido and I becoming labourers on our own build to speed things up and to save costs. No, if we did it again, we’d do what the locals here do – bulldoze the site into a flat platform and build a completely new structure.

This is something of a second instalment to an earlier post called Walking over Almonds and some of the background, including what the original semi-ruined cottage looked like can be found there. Suffice to say here that with one or two expedient modifications from the original plans the build took around six months, beginning in the summer of 1993, and used up every penny we had (although at least we didn’t go into debt). Our architect was the gifted – Bartlett trained – Seattle-based Mark Travers (who we paid with one of my huge oil canvases of the Atacama). Between the three of us (with some help from a structural engineer friend of Mark’s) we came up with a well-built house exactly suited to our needs and passions, and, for a contemporary Andalusian dwelling, unusually sympathetic to its immediate environment.

This is an unavoidably larger post than usual, though I hope there is much of interest here, for those who know us as well as for those who do not, and perhaps even one or two useful pointers for those thinking of embarking upon a similar project…

Our hilltop property was only accessible by a goat track so the first thing we had to do was get a JCB to cut us a drive. For some reason, our beautiful Maremma Sheepdog Aura liked taking naps underneath it and getting covered in grease…
Said driveway…
The first priority was to build our main water tank. Until it was completed we had to schlep over to the local spring three or four times a day to provide the builders with water for cement etc. It took several weeks to finish. Here is the tank progressing. With all its steel it was the most expensive element of the build…
Here’s the JCB just about to demolish the old pigsty…
The water tank and bodega were excavated beneath the east side of the old cottage. They would eventually become the ground story of the east side addition, comprising our bedroom and library. That’s me inspecting the completed water tank. With its 38,000 litre capacity (designed to capture rain water from the roof and terraces) its completion represented significant progress…
It didn’t take long for us to realise that to stay on time and on budget we would have to get involved physically in the building. This was my “first day” and I’m using a pickaxe to make a pipe channel for the 5,000 litre grey water tank…
Here’s Dido cleaning hundreds of roof tiles reclaimed from the old house. The finished roof eventually comprised 1 in 3 old tiles and looked all the better for it…
One of dozens of truck deliveries…
Baldomero (our foreman), Paco and Pepe eating their lunch and taking shelter from a sharp north wind by one of Dido’s dry stone redoubts…
Two thirds of the house beginning to take shape – looking across the main room (the restored old cottage) towards the library and main bedroom…
A beer break – Dido up an almond tree, as usual…
We had to remove the old wooden roof of the original cottage then rebuild the tops of half-meter thick walls. Much of the resulting rubble was reused as aggregate in various parts of the new construction. However, this entire process was hugely time consuming. Mark and his engineer buddy (who had also worked on the Seattle Space Needle) came up with this trussed roof solution for preserving the old walls and making sure they could tolerate the weight of the new steel and concrete roof. The rods were meant to be temporary, but we liked them and kept them. Dido is standing in our front door…
The east addition roof taking shape…
We loved seeing the tiles go over the screed – real progress at last (one in three tiles was from the original house). Incidentally, Dido was on hoist duty, and we later estimated that she winched up more than 2,500 buckets of cement and mortar all told during the roof construction…
The trussed roof allowed us to have very high ceilings without the need for supporting walls or pillars. This is the restored main room. The original cottage was a warren of four tiny rooms…
Fortunately the library was sufficiently finished for us to move into it by the autumn. The stove in the background (christened Dalek) was a reclaimed BBQ and it doubled up as our oven…
These gesso’d book shelves looked great, but during the wet winter months they absorbed moisture like a bath sponge, ruining hundreds of our books into the bargain. You live and learn I guess…
Aura loved lying on the cool sand, much to the annoyance of the builders trying to finish our floors…
Our kitchen was constructed entirely from local materials including a fine wood-burning stove from Asturias, only cost us about £450 with labour!!
The south aspect taking shape, with the “original cottage” section and old casemate wall already rendered, while Dido works on her drystone redoubt
The east addition nearing completion. Here one can see how the library and bedroom form an upper story above the bodega and water tank. The little window is our en suite bathroom…
This is how the main room looks today…
And the bar and kitchen…
And the library, now with modular wooden shelving…
And our bedroom…
And finally, our emerging garden,
about five years ago. Welcome to Finca Carmel!

CAROB, SNAILS AND SARDINES

a postcard from a normal day in malaga…

Whenever people ask us about our commercial crops on our little Andalusian farm, we always mention olives and our almonds. Grapes were once a commercial crop for us – in the form of our Malaga-style wine – but that was many years ago. And, while it’s true we also once sold a bushel of pink grapefruit to a greengrocer in our local village, the only other crop we ever used to sell regularly was carob (algaroba in Spanish). Known as boxer in Britain, carob was best known as a chocolate substitute, especially during wartime, when supplies of the real stuff were sparse, and these days, it’s popular as candy (in the States), ground for flour, eaten as a dried fruit and made into syrups and even alcoholic drinks. But, in the 90’s it’s popularity seriously waned, and the price for the brown pods and seeds fell so low, it cost us more in diesel to get the carob to the factory than we got paid for it.

However, the emergence of veganism has seen a massive spike in the demand for carob, and a corresponding rise in its value, making it a worthwhile crop once again. And, in the event we were paid a handsome €60.00 for our modest three sacks, giving us in turn, a pleasant excuse to continue along the road, to spend our earnings – somewhat ironically – on some delicious, decidedly non-vegan Malagueño cuisine…

Adding our 50kilos (highlighted) to the mountain of carob at our local depot/factory.
Then off to Malaga to spend our not-so-hard earned pocket money – firstly on these delicious caracoles (snails) in a spicy, cumin-infused sauce (a recipe from Córdoba)...
…Then down to the beach, for a few espetos (wooden skewers) of sardines , roast against smouldering olive wood. This shot, taken through a Perspex windshield, gives the scene a slightly wobbly look!

“HOPE SPRINGS ETERNAL…”*

as early signs of spring offer a little hope…

Despite some recent inclement weather, including frost and even a dusting of snow, the Axarquia is showing early signs of Spring. The pictures here, all taken over the past week, on and around our finca (small holding) in the foothills of the Sierra Tajeda remind us of nature’s imperviousness to the current dystopia we find ourselves condemned to inhabit for the foreseeable future.

Sometimes, pictures (even enhanced iPhone snaps) are far more eloquent than mere words…

Our hilltop finca, looking south west…
(Looking west) An almond tree, already in leaf
Marcona (almond) blossom…
(Looking north-east) Our local pueblo, Canillas de Aceituno, sitting beneath Mount Maroma and the Sierra Tajeda, from our house…
(Looking north-west) The pueblo of Periana and the Alfarnate countryside…
(Looking south-east) across our “main road” toward Arenas…
(Looking south-west) From our south vineyard, a neighbouring cottage and the Rio Velez valley beyond…
Fresh orange juice every morning, assured…
(Looking east-by-south east) But it’s the almonds stealing the show…
“Shepherd’s delight”? Here’s hoping…!

* From Alexander Pope (An Essay on Man – 1734)

“PARADISE REGAINED…”

postcards from our past for the present

It took us about six years to fall in love with our Spanish home and to begin to appreciate its full value to us as both somewhere to escape, and to recharge our intellectual and emotional batteries…

Arriving at this point we had survived the physical and mental exhaustion of the eight-month build itself

Followed by the despair of being virtually penniless and then learning we had no professional future in Spain…

Then the seedy drudgery of our sojourn in Boulogne-sur-Mer

Followed by the reestablishing our lives in London (via-Tunbridge Wells) and getting ourselves back on our feet financially…

Until eventually, the resentment we had felt toward our distant Spanish home, for being the ruination of our lives, very gradually transformed into yearning, as we came to understand the sanctuary it offered us from our daily grind

And so, in 1999, I felt the need to celebrate with this set of colourful, impasto gouache sketches, done as postcards; intended to express our sense of freedom and joy at the regaining of our lost paradise. But never in our wildest dreams could we have imagined, even in that seminal year of 1999, just quite how fortunate we really were…

Not until experiencing the madness of three months of semi-house arrest in a small Oxford apartment (I refuse to dignify the “L” word by using it), followed by the oddly, even more disturbing new “normality”, did we truly grasp how blessed we are to have our little, private, mask-less, socially intimate, sanctuary of peace and sanity.

(I should add, that I still have the entire original set of 10 postcards, signed, titled and dated, and in near-mint condition, and far brighter and more charming in real life. I had originally intended to send them to select friends and family, but for some reason never got around to it. So now, I would be happy to sell them as a set for £200 – or other currency equivalent – plus postage. If anyone is interested please contact me through the “Purchasing artwork” link at the top of this page.)

WHERE THE GRASS IS (nearly) ALWAYS BROWNER…

…BUT WHERE THE ALMOND blossom is ALWAYS WHITER

I nearly titled this as a third straight “yearning” post, in the sense that after three months lock-down here in Oxford we are desperate to get back to our finca in southern Spain. But seeing as we are actually returning there tomorrow I decided on a catchier and hopefully more optimistic heading.

In fairness, when we’ve been in Spain for as long as we’ve now been in England there’s plenty I miss about our other lives in London and Oxford, but the longing is rarely as intense as what we are experiencing right now for our Andalusian home.

And perhaps there’s the clue; the fact that our little farm in the foothills of the Sierra Tajeda is the nearest thing Dido and I have ever had to a settled home. We’ve certainly owned it for more than three times as long as any of our previous homes (separately or together), and then there’s all the sweat and blood we’ve dripped into the building of our house and the rocky soil upon which it stands.

But perhaps, more than all of that, it’s simply the way the setting of our finca has ingrained itself into the fabric of our being through the sheer power of its ridiculous beauty.

So, although we missed wonders like the almond blossom display this year, thanks to about thirty years of memories, and images like the ones on show here, we can never truly miss them – they live inside of us, rendering us unusually fortunate.

STARTING OUR 28th YEAR AT FINCA CARMEL

WIshing all my friends, viewers and followers a happy 2020

The single most impressive feature of our lives since we purchased our mountain finca (smallholding) in southern Spain, and becoming part-time farmers in 1993, is how it dramatically increased our awareness of the passing seasons. A perception intensified by having planted the best part of a thousand trees, and then watched as they gradually transformed our immediate environment.

While there are many sobering aspects to the passing of the years, we have found both solace and joy through the metamorphosis of our humble hilltop. Hopefully, it will continue past a good few new years yet!

The house and finca in the summer of 1995, two years after our move to the Axarquia region of Andalusia, and 18 months after completion of the house. Some of our new trees can just be made out, such as the young cypresses lining the edge the drive. At this point, the farm comprised primarily the existing north vineyard (to the lower left of the house) and almond trees. We relied totally on solar energy and rain water, collected in a large tank constructed beneath the house…
…and this is virtually the identical scene taken this Boxing Day in the winter of 2019. The north vineyard is still there, and some of the almond trees, plus the cypresses are now 25 years older – and taller. However, in 2004 we were finally attached to mains electricity (and the Internet) allowing us to set up a remote control irrigation system and thus plant orchards (mostly olive, citrus and avocado) and a garden of sorts, and to surround ourselves with tall trees.