In November of 1991 my wife Dido won a Winston Churchill Traveling Fellowship to Chile to study the role of folk dance as a therapeutic tool for children with learning problems. Because it was going to be a long trip – about three months in all – and we had been married less than a year we decided that I would go along too. As it happened, Dido required her work to be visually recorded and so she appointed me her video cameraman.
When we arrived, Chile had been a democracy about the same length of time that we had been married, so this was a dramatic voyage of discovery in more ways than one. In fact, looking back on that trip now, over 30 years later, Dido and I agree that it remains one of our two or three most remarkable joint experiences.
We decided to keep a written journal of the trip even before we left England, but within a few days of our arrival so many weird and wonderful – not to mention hysterical – things had happened to us that I decided to record the most amusing and surreal in a series of cartoons. Presented here are a selection of those pictures – made literally on the hoof; on trains, on buses and even on planes as we traveled the length (there is relatively little breadth) of one the world’s most spectacular, most beautiful and most crazy countries. These pictures are a humorous and affectionate record of all aspects of the-then new democratic Chile, through the eyes of two wide-eyed newly-weds.
With all due apologies to Greta Thunberg and her righteous minions, the thing I’m missing most during these dystopian times is travel – in particular, travel by air. I find myself staring up at the eerily silent skies above our Spanish home, longing for the return of vapour trails scratched out by distant aeroplanes, like small gleaming arrowheads, hurtling toward myriad destinations. Raised in the 1960’s and 70’s, I am an unreformed creature of my era and my conditioning, brought up to regard jet travel as the ultimate expression of independence and the gateway to adventure. And deprived of it now I feel caged in and frustrated, to the point where I find myself craving the most mundane of things, like the regular noise of the jet engines approaching and leaving our nearby airport, and even the smell of aviation fuel at the airport itself.
One of my most vivid childhood memories, is from my second ever flight in July of 1967 to Tel Aviv, on arriving at Lod Airport (as it was then – since renamed Ben Gurion) late at night. There were no airbridges in those days at Lod, and I can never forget, as we walked down the stairs, onto the floodlit apron, being instantly engulfed in a blanket of humid, oven-hot air, laced with the scent of kerosene. These intense sensations – startlingly alien to a little boy from north London suburbia – had a deeply intoxicating effect that lives with me to this day.
However, attitudes and perceptions have greatly altered in recent years, and what I still look back on as a happy memory that shaped my future, would, in these apparently more enlightened times, be considered by some as a scarring and damaging episode, which condemned me to life as an environmental criminal.
Nevertheless, during the 80’s and 90’s, when my painting career was in full swing, flying opened up an almost infinite canvas for my colour-hungry brushes, as expressed below in eight examples from those exuberant and innocent times. And so I would hope, even the most virtuous of those reading this piece, would at least own that some good came out of what they might otherwise regard as merely evidence of my multiple re-offending…