MOODY BLUES AND STORMY HUES…

…AND HOW I DERIVED SOMETHING POSITIVE FROM OUR MOST NEGATIVE EPISODE

The past twelve Covid-19-infested months included, by far the bleakest time my wife Dido and I have shared together was our enforced eight-month sojourn in Boulogne-Sur-Mer, back in the early 1990’s, described in earlier posts ( here and here).

The Distant Breakwater – oil on canvas – 1995

Yet, few circumstances, however dire, are so unremitting that they totally lack the odd moment of emotional uplift. And for us, in Boulogne, these moments were generally provided during our regular weekend strolls across the local beach.

The Harbour Entrance – oil on canvas – 1995

The proverbial bracing sea air (even when tainted by the odours emitting from the local fish cannery on the southerly breezes); the angry waters of the English Channel, inky blue-black beneath a vast sky of tumbling clouds; distant rain squalls appearing like grey curtains drawn across the serrated horizon; and shafts of silver sunlight occasionally breaking through the blanket of cumulous like spotlights illuminating a white flecked, cobalt stage in perpetual motion – all conspired to blast us temporarily from our glum mental state.

The Fish Cannery – oil on canvas – 1995

In a way similar to how blues music comforts and eases the spirit, by both reflecting back, and articulating the nature and source of the angst, so those tumultuous blue-tinged scenes reminded us of our innate love for life and the adventures it offers. The three palette-knifed oils here, painted a year or two later in my southern Spanish studio, celebrate those precious moments that gave us the reason and the energy to persevere. A particularly apposite recollection I think for these troubled times…

5 thoughts on “MOODY BLUES AND STORMY HUES…

    1. Actually, no. Currently, I’m getting so much pleasure from simply being up here at the finca, and nurturing our little farm that I just don’t have the inclination to get out the brushes again. However, I never say never and can imagine a time when I might get the urge again – perhaps when I get too old and decrepit for farm work?

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    1. Thank you Ana! I taught for three years, back in the late 1980’s, but did not enjoy it. My students loved the classes, but after a while I became bored and frustrated. What I would really like now is for someone to buy all my paintings from the house to give me the motivation to paint a whole new series of work.

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