Category: Art

MY ART CAREER 3 (d) – SAINT MARTINS 1979: NUDE SKETCHBOOK

by adamhalevi, posted in Adam Green, Art, Art School, Cartoonist, Nude Studies, Nudes, St Martins, Uncategorized

In an earlier post I promised to reveal the fruits of my hours spent in the life room at St. Martins.

I always try to keep my promises, so here are the contents of my sketchbook dated 1979.

Looking at these drawings now after so many years hidden away in a drawer in my old plan-chest, what strikes me is their raw honesty. How good or bad they are I’m not the one to judge (although I’ve seen worse), but whatever else, they are truthful, even to the point of portraying how terribly bored the models were in most of the poses. I can also perceive the instinctive cartoonist in me trying to break out, especially in F&M 1.

I referenced several of these in my biblical themed paintings later that same year, especially the Adam and Eve series, and then in 1980, a couple of them were very useful for my “Wanderers” pictures.

MY POSTER PHASE…(1)

by adamhalevi, posted in Adam Green, Art, Uncategorized

For a while during the late 1980’s and early 90’s there was a resurgence of classic poster design in British commercial illustration. For about ten years add agencies got a nostalgia pang for the poster images of the early half of the century—especially the great travel posters of companies like Cunard and P&O.

Photo-sourced images, distilled into simple, screen-print-like blocks of colour were once again all the rage which meant for me, as a keen exponent of the form, a fairly regular stream of commissions.

One of these days, when I’ve completed the transfer of all my old work copy onto a digital platform I’ll put up one or two gallery posts showing the sort of stuff I did for the likes of Thomas Cook and Legal & General.

For now, here is a small gallery of highly disparate images I made for my own pleasure and exhibition.

They comprise a truly odd bunch, including as they do some kind of anti-communist poster (can’t recall if it’s aimed at Russia or China?) and a slightly weird self-portrait of me looking very miserable (suffering with heat-stroke) at a bus stop in Israel. Somewhere, I have dozens of colour slides of many more, less quirky; mostly travel related images which are now all happily sold. They too await digital conversion.

Meanwhile, these are fun—I think!

 

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HOMERTON GIRLS

by adamhalevi, posted in Art, Cambridge, Portraiture

One of my first girlfriends, more years ago than I care to remember, got into Homerton College, Cambridge about the same time I started at Saint Martin’s in London.

Sadly, our relationship did not survive long into our enforced “academic” separation, but I was privileged to visit her once during her first term at Homerton, and very enjoyable it was too. Not only did my girlfriend manage to sneak me into her all-girls halls of residence, but I was also able to stay the night.

Obviously, everything was above board, and we were the models of decorum and virtuous behaviour, but I can’t deny that I found the company of her and her equally clever and gifted and pretty friends hugely stimulating. And, as was often the case for me in those days, I would channel my stimulation through my drawing and painting.

So, when looking at these extremely modest pastel sketches it’s important to remember that they were done by a young man in his late teens while in a highly “stimulated state”. Whatever their quality (and I have no illusions about that, I assure you), they remain a treasured memory…

HEADS & FACES

by adamhalevi, posted in Art, Art Photography

IT’S AMAZING WHAT YOU CAN DO WITH A DECENT CAMERA AND GOOD EDITING SOFTWARE. HERE FOR EXAMPLE, I’VE SIMPLY ISOLATED TWO OR THREE HEADS FROM A SERIES OF PHOTOGRAPHS. IN SOME EXAMPLES THE PROCESS MERELY INTENSIFIES THE SENSE OF AN ACTUAL  HUMAN RELATIONSHIP/S OR INTERACTION/S , WHILE IN OTHERS, A POSSIBLE RELATIONSHIP IS EITHER SUGGESTED OR CREATED. THE COMMON QUALITY I’M ATTEMPTING IN ALL THE IMAGES IS A KIND OF NATURAL INTENSITY…

(cameras used: Canonet 28 / Nikon FE / Nikon D60 / Canon EOS 500d

software: Adobe Photoshop cc2014)

A PEEK AT PARIS THROUGH THE EYES OF A LONDONER

by adamhalevi, posted in Art, Art Photography, France, Paris

I’ve always found that London and Paris are primarily tonal rather than colourful cities. Their light qualities vary only subtly (especially in Autumn and Winter) and so it’s their unique architectural and arboreal textures which create their distinct feels and hugely different respective characters. Firstly, here are a handful of digital “gouaches” of the French capital to illustrate what I mean…London to follow shortly…

AXARQUIA – IN SEASONS

by adamhalevi, posted in Andalusia, Art, Art Photography, Axarquia, farming, Maroma, Seasons, Sierra Tajeda, Spain

A collection of digital “gouaches” showing the way the Axarquian landscape changes with the seasons – Yes we do have seasons – even snow from time to time. These images cover a period of twenty years…

ZURICH – NOT JUST BANKS AND BANKERS

by adamhalevi, posted in Art, Art Photography, Zurich

A SET OF DIGITAL “GOUACHES” AND “WATERCOLOURS” PORTRAYING

THE LIGHTER SIDE OF THE SWISS LAKESIDE BANKING TOWN

EUREKA REFLECTIONS

by adamhalevi, posted in Art, Art Photography, Literary Fiction, Melbourne

A HANDFUL OF DIGITAL “GOUACHES” OF THE VIEWING FLOOR OF AUSTRALASIA’S TALLEST BUILDING

A few years back my wife and I went up the Eureka Tower in Melbourne. The views of the wonderful city and its surrounding countryside were of course splendid, but it was the cleverly laid-out viewing deck itself which excited me as an artist and a photographer. Hopefully, these images here reveal why that was…

AROUND AND ABOUT – SAN GIMIGNANO

by adamhalevi, posted in Art, Art Photography, San Gimignano, Tuscany

A SERIES OF DIGITAL “GOUACHES” FROM OUR RECENT TRIP TO SAN GIMIGNANO IN TUSCANY

DIVIDING LINES

by adamhalevi, posted in Art, Art Photography, Delft, travel

ONE PLACE -TWO REALITIES

The Little Street, Johannes Vermeer

Together with the pictures in my previous post, these few images are my oh-so-humble acknowledgement to my favourite painting “The Little Street”, by my favourite artist, Johannes Vermeer. If I’ve got things right the linkage between my puny digital dabbles and the greatest masterpiece painting in the history of Western Art should be pretty obvious. But do be sure to look beyond the sublimely painted edifice and brickwork to the four characters who inhabit the canvas. The house, for all it’s glory is merely the device, and that’s the point and the joy and the thrill of Vermeer – more than any artist before or since – sorting out his devices from his themes. This is what I’ve tried to bear in mind when making the images presented here…